486. “The Art Market Is in Massive Disruption.”
Freakonomics Radio
Freakonomics Radio + Stitcher
4.5 • 32.9K Ratings
🗓️ 16 December 2021
⏱️ 42 minutes
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| 0:00.0 | I'm Dr. James Denean and I'm a primary care internist at the National Hospital in Boston |
| 0:13.1 | where I practice for 45 years and retired from patient care in 2008. |
| 0:18.8 | James Denean is looking through some photographs from a long time ago. |
| 0:22.6 | This is my sitting Alice Neal's backyard. |
| 0:26.2 | This is Alice beginning the portrait. |
| 0:28.5 | Alice Neal was a painter born in 1900. |
| 0:31.6 | Her specialty was painting people, what you and I might call portraits, but she didn't |
| 0:36.0 | care for that word. |
| 0:37.4 | Neal was resistant to the genre of portraiture, which she associated with status and wealth. |
| 0:44.8 | That's Kelly Baum. |
| 0:45.9 | She's a curator at the Metropolitan Museum of Art. |
| 0:48.8 | Stuffy, stiff, uninspired, overly romanticized without a critical or radical spirit. |
| 0:57.4 | Neal preferred to call her paintings pictures of people that are also history. |
| 1:01.8 | Neal's pictures are always more than just the person they represent. |
| 1:07.6 | Baum recently co-curated a massive Alice Neal retrospective at the Metropolitan Museum. |
| 1:12.8 | It was called People Come First. |
| 1:15.6 | The vast majority of the people Neal painted were not well known. |
| 1:20.0 | Dr. James Denean fits that description well. |
| 1:23.1 | One day on the opposite side I'd like to paint you. |
| 1:26.6 | So this is in early 1984. |
| 1:29.5 | And my son and I drove down to spring-white New Jersey. |
| 1:34.8 | And she painted me in her backyard. |
... |
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