I've noticed a number of peculiar incidents among the members of the student body all having to do with rock and roll music.

Oh, I'm down, fetch a bell. Now if you don't think this song is the greatest song ever. I will fight you.

No work in Van Morrison's Cannon or in the rock lexicon for that matter sounds quite

like astral weeks. I'm Greg Cott of the Chicago Tribune.

And I'm Jim Deregottis from W be Z and Columbia College.

Today we celebrate the 45th anniversary of Astral Weeks and I'll remember Rock Legend Lou Reed in the Desert Island Jukebox.

That's all coming up on Sound Opinions.

You're listening to sound opinions. I'm losing my edge. The kids are coming up from behind.

That's a track from LCD Sound Systems 2005 debut album in which singer-producer James Murphy says he's losing his edge. Well, two years after the project disbanded,

is this the case?

Murphy's gone from punk and dance clubs to Broadway?

He's composed original music

for the Broadway revival of the Harold Pinter Play Betrayal.

But if you're going to lose your edge, that's not a bad way to go.

The play stars Daniel Craig and Rachel Weiss is produced by Scott Rudin and is directed by Mike Nichols.

Let's find out how this all came together.

James, welcome back to Sound Opinions.

Well, thank you very much.

So Harold Pinter and Betrayal, did you have any knowledge at all of this play before you got the job to score it?

I read the play I think probably in 1992, but I totally forgot about it.

But I knew Pinter, of course.

And I got to reread it and and get very

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