4.6 • 729 Ratings
🗓️ 2 July 2020
⏱️ 6 minutes
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0:00.0 | Hello and welcome to the Daily Poem. I'm Heidi White, filling in for David Kern, and today I'm going to read for you for haiku by Japanese poet Kobayashi Issa. |
0:11.9 | Number one, don't worry spiders. I keep house casually. |
0:18.3 | Number two, don't kill that fly. Look, it's wringing its hands wringing its feet number three under the |
0:28.0 | evening moon the snail is stripped to the waist number four for you flees too, the nights must be long. They must be lonely. |
0:42.0 | Kobayashi Issa was a Japanese poet. He was writing his poetry in the early to mid-1800s. |
0:51.0 | And he was very well known, as you can hear in the poems that I just read, |
0:55.8 | a forgiving voice to the small things. |
0:59.8 | The poems I read had as their central image, spiders, flies, snails, and flees. |
1:08.2 | So Kobayashi Issa was very well known in his time and still today for finding creatures |
1:13.8 | that are typically overlooked or undervalued or considered vermin and giving them a dignity, |
1:23.0 | bestowing upon them an image that is worthy of a poem. And there's some clues in his life what he |
1:30.3 | saw in that. I'm not typically a huge fan of biographical criticism, meaning looking at an artist's |
1:37.5 | work or artifact that they've created and then trying to take their life and impose it as a means |
1:44.0 | of interpretation. That's not what I'm trying to do. But and impose it as a means of interpretation. |
1:45.3 | That's not what I'm trying to do. |
1:46.9 | But I do think that there's some clues in his life, which was really full of sorrow, |
1:51.6 | that motivates this need to dignify the small and the undervalued. |
1:57.9 | His life was marked by sorrow. |
2:00.1 | His first wife died, and all three of his children, he had a very unsuccessful and unhappy |
2:06.8 | second marriage, his house burned down. |
2:09.5 | And then he married again. |
2:10.5 | So his life, excuse me, was marked by loss. |
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