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18 plus be gambleaware.org, teas and sees apply. So let's move on to someone who, So let's move on to someone who in many respects has had a very similar career trajectory,

or had a very similar career trajectory because he's passed away now.

John Martin, who you could probably say there was a certain point in the history, in history where Roy Harper and John Martin were

pretty much in the same place. The late 60s when they were playing Le Cousin, the club in Soho.

They were both kind of these foky troubadours who had some extra kind of elements they were bringing into their music, whether it was jazz

in the case of John Martin or Roy Harper had more of the sort of psychedelia thing going on.

But they certainly, careers certainly diversified, didn't they?

But John Martin's album from this year, one world is a masterpiece, isn't it?

It's an absolute masterpiece. Well, listen, I think we're getting to the point of the albums that, you know, One World is a masterpiece, isn't it? It's an absolute masterpiece.

Well, I think we're getting to the point of the albums that, you know, I would consider

amongst my favourite of all time at this stage.

And One World is definitely that.

Yeah, there's a similar trajectory in the sense that they both emerge from the

British, the small British folk clubs.

Well, I think Harper was slightly before Martin.

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