3/4: Liberty Equality Fashion: The Women Who Styled the French Revolution Hardcover – April 23, 2024 by Anne Higonnet (Author)
The John Batchelor Show
John Batchelor
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🗓️ 29 June 2024
⏱️ 13 minutes
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Summary
https://www.amazon.com/Liberty-Equality-Fashion-Styled-Revolution/dp/0393867951
Joséphine Bonaparte, future Empress of France; Térézia Tallien, the most beautiful woman in Europe; and Juliette Récamier, muse of intellectuals, had nothing left to lose. After surviving incarceration and forced incestuous marriage during the worst violence of the French Revolution of 1789, they dared sartorial revolt. Together, Joséphine and Térézia shed the underwear cages and massive, rigid garments that women had been obliged to wear for centuries. They slipped into light, mobile dresses, cropped their hair short, wrapped themselves in shawls, and championed the handbag. Juliette made the new style stand for individual liberty.
The erotic audacity of these fashion revolutionaries conquered Europe, starting with Napoleon. Everywhere a fashion magazine could reach, women imitated the news coming from Paris. It was the fastest and most total change in clothing history. Two centuries ahead of its time, it was rolled back after only a decade by misogynist rumors of obscene extravagance.
New evidence allows the real fashion revolution to be told. This is a story for our time: of a revolution that demanded universal human rights, of self-creation, of women empowering each other, and of transcendent glamor
120+ full color illustrations throughout
1888 OF NAPOLEON
Transcript
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| 0:00.0 | This is CBSi and the world. I'm John Bachelor continuing with Professor Anne Higonee, Art History |
| 0:07.4 | Barnard College. The book is Liberty Equality Fashion. The professor has done me the favor of introducing the |
| 0:13.4 | French Revolution. I never knew. I knew it was somewhere out there but I never |
| 0:19.2 | knew what it was. It has to do with fashion. Fashion during the revolution driven by the terror and the |
| 0:26.7 | upside downness of the world because the aristocrats and the |
| 0:33.0 | assume to be fixed in heaven was gone. |
| 0:37.0 | The clothing was gone. |
| 0:39.0 | The silks were gone, never cleaned in their lifetimes. |
| 0:42.0 | The sumptuary laws were gone, never cleaned in their lifetimes, the sumptuary laws were gone. |
| 0:45.0 | And instead what we had was cotton. |
| 0:48.0 | Therein lies the tale. |
| 0:51.0 | Professor Cotton from the empire, from Pundecheri. the |
| 0:55.0 | the trading post left in France, from Pundecheri, the trading post left in France, from India, from Cairo, from Bangladesh at that time, Well it's called Bangladesh today. All that cotton and |
| 1:07.8 | it was available there before but suddenly our graces discover cotton and new. |
| 1:13.5 | Did they have, was cotton seen right away as a revolution by them |
| 1:19.5 | as something to liberate us? |
| 1:21.5 | How was it understood by the Graces? |
| 1:24.0 | Cotton was a completely revolutionary fabric because the more you were aristocratic or royal before the revolution, |
| 1:39.2 | the more you wore silks and jewels. And all of a sudden, these three fashion celebrities proclaim that cotton is the most fashionable fabric to wear, completely white cotton, |
| 2:01.0 | which because cotton only grew in a tight band around the equator, was mostly imported |
| 2:10.0 | from India. Cotton had begun to be worn by the lower classes starting in the 17th century, |
| 2:18.0 | but all of a sudden during the French Revolution it became the fabric of choice. |
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