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The Hamilcast: A Hamilton Podcast

#296: Marcus Choi // Hamilton's Philip Company // Part Two

The Hamilcast: A Hamilton Podcast

Gillian Pensavalle

Newyorkpodcasts, Newyorkpodcasters, Hamilton, Theatre, Hamiltonpodcast, Musicals, Daveeddiggs, Foundingfathers, Leslieodomjr, Hamiltonchernow, Broadwaypodcast, Chernow, Alexanderhamiltonchernow, Arts, Podcasting, History, Podcasts, Femalepodcasters, Ham4ham, Gillianpensavalle, Linmanuelmiranda, Americanhistory, Alexanderhamilton, Broadway, Musicalpodcasts, Performing Arts, Theater, Hamiltonthemusical, Hiphop

4.51.9K Ratings

🗓️ 6 December 2021

⏱️ 54 minutes

🧾️ Download transcript

Summary

Philip Company's Marcus Choi talks about getting his start with Disney, being a part of the cultural phenomenon of Sharknado, shares some of his favorite moments as Washington, and why it is important to always be looking for new things to feed off of when you are part of a long running show like Hamilton.

EPISODE TRANSCRIPT

Sharknado

The First Conspiracy

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Transcript

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0:00.0

Hi, I'm Stage and Stages, Lin-Manuel Miranda, and you're listening to The Hamilkast.

0:05.1

Bootsing, cut, sin, bussing!

0:18.7

Hello everyone, welcome back to The Hamilkast. I'm Jillian, and this week I'm back with Marcus

0:23.2

Choi, who plays George Washington in the Philip Company. Last week, Marcus talked about getting

0:27.2

back into action after nearly a year and a half away from the stage. Plus, how he came to

0:31.5

theater, his early connections to Alex Lacomore, and how the raucous Philip Company came to be.

0:36.6

So if you're all caught up, here's part two of my conversation with Marcus.

0:39.6

Right now, he's in the middle of telling me how dance injuries made him want to take a step back

0:43.3

from theater and take his career in a different direction. But you know what? I'll let him tell it.

0:57.3

So ultimately, that was the reason why I moved back to LA. I was like, you know, I need to switch gears.

1:05.1

I know I didn't want to stop performing, but I had to stop dancing. Like, I had to stop

1:10.8

focusing on dance as my main vehicle to work. You know, so I had always wanted to swing the

1:20.1

so-to-speak when it came to TV and film in LA. So like a winter of 2008, I moved back to LA and

1:31.5

and you know, one of the things that I love about New York is that like it taught me how to hustle.

1:36.7

Like, if you can hustle and work in New York, you can work anywhere. You can figure it out and

1:43.2

work anywhere. And so I kind of took that same work ethic, that same mentality when I got to LA.

1:51.5

And I got on my feet, started auditioning, got my team together, and then probably around 2010,

1:57.4

like summer of 2010, is when I really started getting out there and I started auditioning and

2:02.6

booking jobs and you know, worked, worked pretty solid for like the next six, seven years.

2:11.3

I mean, that's amazing. Yeah, I was very fortunate. I was very fortunate to kind of, you know,

2:17.5

be exposed to the other side of entertainment, you know, and having that theater background.

2:23.8

And you know, it's funny too, because like in LA, maybe it's different now, but in LA at that time,

...

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