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🗓️ 23 September 2011
⏱️ 6 minutes
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0:00.0 | Grammar Girl here. Today, Roy Peter Clark, who teaches writing at the Pointer Institute, |
0:05.2 | a school for journalists in St. Petersburg, Florida, has some great tips I would not have |
0:10.1 | thought of for overcoming writer's block. Here's Roy's advice. Every writer faces writer's |
0:15.9 | block at one time or another, but none so dramatically is the character played by Jack |
0:20.6 | Nicholson in the shining. What is shocked to see that every page of this homicidal writer's |
0:26.2 | thick manuscript contains the same sentence. All work and no play makes Jack a dull boy. |
0:32.6 | Solution? Take acts. Attack family. Be assured that there are better solutions to writer's |
0:39.0 | block. If you're stuck, consider these time-tested strategies to help you build momentum. The |
0:45.0 | key is to turn procrastination into something productive. Rehearsal. |
0:50.4 | 1. Lower your standards at the beginning of the process. Raise them later. This advice, |
0:57.2 | which some people applied to dating, was issued most famously by poet William Stafford. |
1:02.4 | He argued that high standards create a threshold that inhibits writers from getting started. |
1:08.1 | The key is to lower your standards at the beginning of the process. Get that fantasy |
1:13.0 | of winning prizes or capturing hearts out of your head. |
1:17.6 | 2. Imagine the story before writing a draft. Writing begins long before your hands get moving. |
1:25.0 | The more headwork you do before drafting, the easier the handwork will be. Such mental |
1:30.8 | preparation is a form of rehearsal. The kind we do to prepare for asking someone on a date |
1:36.4 | or a boss for a raise. 3. Rehearse the beginning by speaking it to another person. You can draft a |
1:44.9 | story with your voice before you write it down with your hands. All you need is a friend willing |
1:49.8 | to listen and maybe ask a few questions. Even an attentive dog will do, preferably a jack |
1:56.2 | Russell Terrier named Rex. Let the story emerge from your mouth to your ears and then to your hands. |
2:04.2 | 4. Don't write the story yet. Write a memo to yourself about the story. |
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