4.7 • 2.9K Ratings
🗓️ 31 May 2019
⏱️ 65 minutes
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0:00.0 | Major funding for backstory is provided by an anonymous donor, the National |
0:04.5 | Endowment for the Humanities, and the Robert and Joseph Cornell Memorial Foundation. |
0:13.0 | From Virginia Humanities, this is backstory. |
0:22.2 | Welcome to backstory, the show that explains the history behind today's headlines. |
0:26.8 | I'm Joanne Freeman. |
0:28.2 | I'm Nathan Connelly. |
0:29.4 | I'm Ed Ayers. |
0:30.4 | If you're new to the podcast, we're all historians and each week, along with our colleague, |
0:35.5 | Brian Ballot, we explore a different aspect of American history. |
0:39.4 | I celebrate myself and what I assume you shall assume. |
0:43.8 | That's a bold statement, Gary. |
0:45.8 | Kind of audacious, huh? |
0:49.8 | Well, I'm doing that because today marks what would be the great American poet Walt |
0:55.1 | Whipman's 200th birthday. |
0:57.8 | So on this week's show, we're going to explore how the author of Leaves of Grass and Song |
1:01.7 | of Myself tried to forge a unified American identity at a time of national crisis and |
1:08.1 | division. |
1:09.1 | So we're going to talk about how Whipman tries to thread differences across sexual identity, |
1:13.4 | race, religion, place, and politics. |
1:16.2 | So let's say, just a paraphrase, the poet himself, this week's show is going to be large |
1:21.6 | and might just contain multitudes. |
1:27.2 | We'll discuss how Brooklyn shaped Walt Whipman and what exactly he was doing wandering around |
... |
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