Dan Lovey, I love you.

Dan, I'm Gwenin and this is Abby. I know who everyone is here. I know who everyone is here. I know who everyone is. What a thrill. You have three massive fans right here. Not just of every other

thing you've done in Shits Creek obviously, but of the movie Good Grief. We loved it so much. Thank you so much. It's so beautiful. We have a daughter who's a musician, okay? She's in high school. And she calls us from the library sometimes freaking out because she's just

put out a song and she has to go into the hallway of high school and walk through the hallway

while people are listening to her most vulnerable

words that she has put out into the world like here is my heart and I'm trying

the hardest to do this thing and she will come home and say being an artist is so embarrassing.

I wish I was that evolved in high school to be perfectly honest.

I wish I had that kind of like professional and emotional and creative clarity.

That's amazing.

Yeah, it's very weird.

It's been a very strange time because in a way, like for me the great joy of all of this is making things. I love to make things.

I love to build things from the ground up. I love to conceive of ideas and bring them to life.

To me, there's no greater thrill creatively

than thinking something in your head

and literally watching it physically manifest.

I remember the very first day I walked onto the sets of Shits Creek and it was like,

it was the closest I think I've come to walking into a dream

because these places and these details and the feel existed in my

head for so long as we were writing it and then suddenly you walk into these

physical places and they are exactly what you had pictured them to be.

So it's kind of like, it's this wonderful process and then you have to put it out into the world and

...