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The Cine-Files

264 The Last Picture Show Part 1

The Cine-Files

Steve Morris & John Rocha

Tv & Film

4.81.6K Ratings

🗓️ 28 January 2022

⏱️ 120 minutes

🧾️ Download transcript

Summary

What film symbolizes the cinema of the 1970's for you? Is it the operatic majesty of the Godfather films? The descent into madness of Taxi Driver? Maybe it's the brilliant dialogue of Network or the sheer terror of Jaws. Honestly, you can't really go wrong with any of those movies. The fact is the 1970's was an incredible decade for movies and one of the most stark, honest and powerful examples is Peter Bogdanavich's 1971 masterpiece, The Last Picture Show. 

If you haven't seen this incredible film you can buy or stream it right here.

https://amzn.to/3fWGYrA

Don’t forget to support The Cine-Files at https://www.patreon.com/TheCineFiles and purchase any film we feature at https://www.cine-files.net

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John @therochasays

Steve @srmorris

The Cine-Files

Twitter @cine_files

Instagram thecinefilespodcast

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Transcript

Click on a timestamp to play from that location

0:00.0

Hi, this is Steve.

0:02.7

It's hard to imagine a more incredible introduction to the world of Hollywood than the one enjoyed

0:07.5

by Peter Bogdanovich.

0:09.3

As a writer for Esquire and the Saturday evening post, Bogdanovich found himself on the

0:14.8

set of West Side Story with director Robert Wise.

0:19.0

He watched Hitchcock shoot the birds and traveled to Monument Valley where John Ford was directing

0:26.2

John Wayne.

0:27.6

And that's not all.

0:29.2

Jerry Lewis liked him so much, he gave him a whole bunch of his suits and even one of his

0:33.9

Mustangs.

0:34.9

He had breakfasts with Fritz Lang, every Sunday, Howard Hawkes, was a regular dinner guest

0:41.0

and Orson Wells literally lived with Bogdanovich often on for years.

0:46.1

And it was those relations which formed the foundation of the director he would become.

0:51.6

Peter Bogdanovich loved Old Hollywood and he was determined to honor those great directors

0:57.4

while incorporating ideas from the French New Wave and a kind of naturalism that was

1:04.4

almost unheard of in American cinema.

1:07.1

However, his second film, The Last Picture Show, based on the Larry McMurtry novel, is

1:11.9

more than an exploration of cinematic technique.

1:16.6

It is a profound, deeply personal, emotionally raw, and unflinchingly honest examination

1:24.0

of the loves, losses, secrets, and betrayals that take place in a small Texas town in the

1:30.8

early 1950s.

1:33.3

This is, without question, one of the great films of the 1970s and if you haven't seen

...

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