4.7 • 2.9K Ratings
🗓️ 2 August 2019
⏱️ 63 minutes
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0:00.0 | Major funding for Backstory is provided by an anonymous donor, the National |
0:04.1 | Amendment for the Humanities, and the Robert and Joseph Cornell Memorial Foundation. |
0:08.0 | From Virginia Humanities, this is Backstory. |
0:14.8 | Welcome to Backstory, the show that explains the history behind today's headlines. |
0:24.9 | I'm Brian Ballot. I'm Nathan Connolly. |
0:27.4 | I'm Joanne Freeman. |
0:28.4 | And I'm Ed Ayers. If you're new to the podcast, we're all historians, and each week we |
0:33.4 | explore the history of one topic that's been in the news. |
0:36.6 | Now, picture a wailing ship out at sea in the middle of the 19th century during the height |
0:42.2 | of the wailing industry. |
0:45.5 | As the crew works together, pulling howards to set sales or pumping the lever windlass |
0:50.0 | to raise anchor, they sing a type of work song called a sea shanty. |
0:54.9 | Oh, Sally Brown, she's a bright molotter. |
1:00.2 | Whaaay, roll and go, a pretty girl, but I can't get her. |
1:09.5 | Spend my money on Sally Brown. |
1:14.2 | Oh, Sally lives in Holger Maker. |
1:19.0 | Whaaay, roll and go. |
1:23.5 | She drinks rum and chose tobacco. |
1:28.2 | Spend my money on Sally Brown. |
1:33.2 | The voice you just heard is scholar Gibb Shreffler. |
1:37.2 | He says sea shanties like Sally Brown were more than just catchy sailor songs. |
1:42.0 | They were actually used to coordinate maritime labor tasks on merchant ships and wailing |
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