Hey, everyone. Welcome back to the screenwriting life. I'm Lorian McKenna. And today, I am thrilled to talk to Liz Feldman, who has a very impressive career as a writer, showrunner, director, and actor. Yes. Yes. sure. Okay, right.

Comedian, kind of, yeah.

It's all sort of in retirement anyway.

So Liz created and ran dead to me, as well as the new Netflix show, No Good Deed, which follows a couple looking to sell their house, the competitive buyers hoping

to get it,

and the secrets that tie them all together. Welcome to the show, Liz.

Thank you so much, Lorian. Really appreciate it. Yay. So before we get into the part where I

ask you all the questions, we're going to do what we like to call Adventures in Screenwriting,

where we talk about our week. So I will start.

So I delivered a script on Sunday, which I was very excited about. Well, that's huge.

Congrats. I got notes this morning, which I haven't looked at yet. So that's pretty good for it.

That's a pretty fast turnaround, actually. It's reps. Oh, it's reps. Yeah, they sort of have to do that.

But even so it was big to like send. And's reps, no. Oh, it's reps. Yeah, they sort of have to do that.

But even so it was big to like send.

And of course, then I read the first page and guess what I found?

A typo.

Oh, God.

Oh, cue me not sleeping for at least like three nights.

Yeah, and it was like one of those, uh, there,

there are there. Oh, come on. And so it was like, I almost can forgive those because so much of

that is just sort of like some conscious stream of thought, you know, your, your, your hands and your

brain not kind of lining up in the same grammatical correctness.

...