4.6 • 32K Ratings
🗓️ 30 July 2015
⏱️ 39 minutes
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| 0:00.0 | Chapter 1. |
| 0:05.5 | The stranger didn't shatter Adam's world all at once. |
| 0:09.6 | That was what Adam Price would tell himself later, but that was a lie. |
| 0:13.4 | Adam somehow knew right away, right from the very first sentence that the life he had known |
| 0:18.4 | as a content suburban married father of two, was gone forever. |
| 0:22.4 | It was a simple sentence on the face of it, but there was something in the tone, something |
| 0:27.3 | knowing and even caring to let Adam know that nothing would ever be the same. |
| 0:32.1 | You didn't have to stay with her, the stranger said. |
| 0:36.6 | That's Harlan Coban, reading the beginning of his latest thriller, The Stranger. |
| 0:40.7 | I'm all about suspense trying to make you turn that next page. |
| 0:43.9 | I want you to start The Stranger at 11 o'clock at night, think, I'll read 10 or 15 minutes, |
| 0:48.5 | and the next thing, you know, it's four in the morning. |
| 0:50.4 | That's the kind of book I try to write. |
| 0:52.8 | And it's worked out pretty well for him. |
| 0:55.6 | The Stranger is my 27th book and I'm told worldwide I'm around 70 million books in print. |
| 1:03.2 | So presumably you know what you're doing. |
| 1:05.2 | So let me ask you this, any rules of thumb for optimal creation of suspense and surprise? |
| 1:12.1 | For me, I usually, you say always, but in one or two books I have, I know the ending. |
| 1:17.5 | I know that final twist and surprise. |
| 1:20.1 | So I compare it like if you're traveling someplace. |
| 1:22.2 | If I'm traveling from New Jersey to Los Angeles, I can go off |
| 1:25.5 | road. I mean, and I always do in the books. |
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