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Popcast

2021 in Jazz: Intimacy and Conversation

Popcast

The New York Times

Music Interviews, Music Commentary, Music

3.61.5K Ratings

🗓️ 12 January 2022

⏱️ 44 minutes

🧾️ Download transcript

Summary

Throughout the pandemic, the music’s flexibility has become an asset. Where will artists take it next? Guests: Giovanni Russonello and Marcus J. Moore.

Transcript

Click on a timestamp to play from that location

0:00.0

Welcome to the New York Times Popcast, your Tootsie role of music news and criticism I am your host, John

0:13.8

Karen Monica. You are zoning out, you are vibing out to movement 6, a very tiny part of a very long

0:38.5

song. Movement 6, this is on promises, which is the collaborative album of pharaoh sanders and

0:46.2

floating points. This is a big critical darling record of 2021. Today on Popcast, it's the last year

0:54.5

and even though we're already in January, it's the last year in wrap up, it's the jazz cast. We're

1:00.1

going to talk about everything that went down in jazz last year from the intimate to the astral

1:06.3

and everything in between with us, Giovanni Rusanello, who writes about jazz in the New York Times. Hello,

1:11.9

Gio, welcome, hi. Hey John, how you doing, man? Good, happy you're here and Marcus J. Moore is

1:17.2

here who also writes about jazz for the New York Times. Hello, man, what's good? What's going on?

1:22.8

Happy to have you guys here. We have a lot of ground to cover, but we're going to start here. It's

1:28.6

Gio's number one album of 2021. It's kind of a consensus record, although a mark is not 100% sure

1:35.3

if you write for it as hard, but I'd love to hear for those folks who have not heard this record.

1:41.4

Gio, can you talk us through what the conceit of it is? It feels like you're kind of came out of

1:47.2

nowhere. It kind of landed a little bit out of nowhere. Can you tell us how it arrived into the scene?

1:52.3

This album, you're right, was a total critics darling and it did arrive with something of a concerted

1:58.4

kind of marketing effort. And so for that reason, I sort of sat down and as it was end of your time,

2:03.3

I was thinking to myself, though, am I really going to single this one out? Is this really going

2:07.0

to be the number one? And ultimately, it just came together and it just continuously resonated

2:13.6

on every listen and it was captivating. And the way that it really came together was that actually

2:18.8

sort of a indie label guy, Eric Wiles-Nistrom, I think with the walk-about actually got the

2:25.0

opportunity to introduce Ferro Sanders, this going on 80 jazz legends saxophone player to the music

2:31.8

of floating points, which is Sam Shepard, this brilliant young musician in Britain, whose stuff is

...

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