Hey, we're recording the podcast.

Shut up.

Good morning to you, wherever you are, because it is morning somewhere.

Or October 60, 2024.

My name is Bernie Burns sitting right over there.

She's my $1.5 million Aikira.

Ashley Burns, say hi to Ashley, everybody.

It's her stunt double.

It's not the actual Ashley, not the one that was used on set.

Look, you'd never know if you didn't know it wasn't a rug.

Yeah, it's true.

I mean, look, there's so many things in production.

We're talking about the Game of Thrones auction where somebody paid, who knows how much,

for a Knights Watch costume that has now admittedly been revealed to be an Ikea.

Imagine playing like, you know, whatever they paid, like $600,000 for a cosplay that

somebody did. That'd be crazy. You know what, though, is, uh, you look at very, like how

productions can come together and set design and things and people put unexpected things

together in completely new ways. And you're right. You would be like, that looks like a pelt to me.

I almost called Marcus Leport the other day because we would spend so much time talking about LEDs because LED strips were a big deal. But you could never put enough diffusion on them. In other words, you couldn't make it to where you could see the points of lights in the strips. And now I just showed you this LED strip that I bought because I was going to put it in a cabinet for lighting.

And it's like a seamless, it looks like something out of like a light cycle, like Tron. It's like a seamless beam of light. It looks like magic. It's magic. It's magic. So I almost called them the other day. They say, look how far these things have come. It's movie magic. But all the stuff that they did on those,

all the stuff they did on the sets was just,

it's got to look good for, movie magic. But all the stuff that they did on those, all the stuff they did on the sets was just,

...