one of the greatest or even people argue like the greatest teacher in our lineage

is rupertagoswami and what he did this you know there's so many lineages of vedanta

and they all have their different contributions what they share that's like they're looking

at the same books but then they give an angle on it that's

special you know yeah and what he shared is so special and it makes this lineage so special

he took these pastimes of krishna and he analyzed them through a particular lens so that

we can understand them and And that lens is like what

they call, I guess scholars would call it like Indian, ancient Indian Sanskrit, really Sanskrit

is I believe it's called dramaturgy, is that how you pronounce it like the study of

dramaturgy I have no idea never even heard that word the study of drama and you know like all

like we were just talking about music you know music has beat music has melody music has you know

there's rhythm within rhythm there's beat you know there's there's there's melody there's tempo

there's it has all know, there's, there's melody, there's tempo, there's, it has all these

different elements. Harmony.

Within drama, there's different elements. And there's this really beautiful, sophisticated

study of drama that goes back in these ancients, that sages wrote, you know, in ancient

Sanskrit text. And they speak about what we mentioned earlier,

Russa, right, like the different varieties of emotion and the different varieties of love.

And what stimulates them, what increases them, what decreases them, which ones blend nicely, which ones

don't blend nicely, what kind of characters, what do you have in your drama, what do they

embody and how they all blend together?

So there's like, just like there's a science to like, you know, within music, there's certain

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