Hey all, as promised, here's part two of our final three questions supercut featuring TSL

guests.

And as always, if you want to know who you're listening to, you can check in the description of the episode below and we're back this

Thursday with new episodes so make sure you tune in but until then enjoy.

What brings you the most joy when it comes to directing?

Hmm, seeing that spark in somebody's face when they really get something and they know that you're going they're

going to take it far you know into something that you're you're good jealous

of I get this good jealous feeling you know when somebody just is brilliant and you're thinking,

damn it I wish I could do that it's incredible I wish I had done that but they've done it and it's just

amazing and now it can't be done again because you've done it.

But it's just a I love that. I mean I get the good jealous feeling

that's when I know that yeah that things are really really amazing. I've had that several times on this on this production which is just incredible. Yeah.

Flip side of this question is of course what pisses you off about directing?

Oh, what pisses me off about directing I won't say it pisses me off but I what is a part of the, and I don't know whether it because I'm like a

studio owner and a director that maybe it's unique to that kind of a setup, but I do find myself,

especially in the last year of production where I know what's important. The face and the center of the screen is important. Whether the hand and the side of the screen grows and shrinks a little bit because the animator, you know, might not pay that much attention to it, but we have this amount of time, this amount of money left or whatever.

I like I always go for like what's the important thing and the scene is that working then that's great let's go with that

so I'm often the person in the room saying actually that's not important you know when somebody says that hand is like you know

giggling or it's not working right or whatever.

So that's I suppose the surprising thing about directing. It's not like, let's strive for the best that we can be.

It's like, yeah, that doesn't really matter.

So let's just like go with the face let's not spend

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