4.5 • 5.1K Ratings
🗓️ 17 July 2023
⏱️ 61 minutes
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0:00.0 | This episode contains instances of race-based violence and murder. |
0:03.4 | Lister discretion is advised. |
0:06.3 | History that doesn't suck is a bi-weekly podcast delivering a legit, seriously researched |
0:10.2 | hard-hitting survey of American history through entertaining stories. |
0:13.2 | If you'd like to support HGDS or enjoy bonus content, please consider giving up patreon.com-forwardslash-history-that-doesn't-suck. |
0:20.0 | It's Thursday evening, May 2, 1912. |
0:30.9 | Brett the corner of 57th and 7th in Midtown, New York City, where a seemingly endless |
0:36.2 | throng is descending upon the city's unparalleled cathedral of music. |
0:40.7 | Carnegie Hall. |
0:42.3 | The wealthier are arriving in traditional horse-drawn carriages, or those new gas-powered taxi |
0:47.1 | caps. |
0:48.3 | Others rode the less than a decade-old, but quickly expanding subway, or simply walked. |
0:54.0 | But however they came, these New Yorkers, Black and White, are about to experience a |
0:58.7 | night of entertainment unlike any the nation has ever seen. |
1:02.4 | Tonight, 300 Black musicians, either a solo act or in a group, are performing in a single concert. |
1:13.5 | But before we enter this theater, a quick aside. |
1:16.8 | Let's remember that we're in the era of Jim Crow, and even here in the North, segregation |
1:21.7 | can exist. |
1:22.7 | In fact, Black and White theater goers typically sit as two separate groups. |
1:28.7 | Not tonight though. |
1:29.9 | This concert will have no color barrier, as Black artists perform. |
1:34.1 | To quote historian Stephen Harris, their own music in the most famous white-owned, white-run |
... |
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