Hey, welcome to the screenwriting life. I'm Meg Lafour. And I'm L'Orian McKenna.

We are professional screenwriters. We've worked together as a team and separately.

We've worked on studio and indie films, live action, and animation. from my work on Inside Out and

Captain Marvel. To my work in Pixar Story Department on Up, Brave, and Inside Out.

We are here to share our insights on the craft of screenwriting and also the lights,

had a not only survive the ups and downs, but thrive.

We want to help you become the best screenwriter you can be

and to reassure you that you are not alone on this journey. Hi everyone, welcome back to the screenwriting life.

Today it is just me and Jeff and Savannah, our intern of course.

Meg is off being a mentor in South Africa.

We've been getting a lot of exciting photos from Meg as she is living her best life over there,

but we miss you Meg. We can't wait to have you back.

In the meantime, we are very excited because we're joined by Nick winning partnership, Alicia Brophy and Scott Miles to chat about their experience with writers groups and accountability in terms of pages and writing.

So in addition to winning the 2014 Nickel Fellowship,

congratulations, for their animated comedy,

The United States of Fucking Awesome,

please be aware of this is going to be a very swear

very swear. Scott and Alicia have written for. Awesome. Please be aware this is going to be a very swary show.

Scott and Alicia have written for Netflix's Inside Job and Cartoon Networks

LEGO Ningago.

Scott and Alicia are passionate about high accountability writers groups. Their own group is highly

exclusive, systemized and regimented, and has yielded incredible results not only for them but

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